While remaining committed to the horror genre, Nick Cheung’s second outing as director is a huge improvement on 2013’s Hungry Ghost Ritual. Again casting himself in the lead, Cheung this time leaves writing duties to Yeung Sin Ling (Inner Senses, The Bullet Vanishes) to tell the story of an exorcist, whose unconventional methods attract the attentions of a spunky young journalist and a murderous demon. Complemented by rich production values, lively performances and an inventive screenplay, Keeper Of Darkness succeeds as detective story, spectral romance and even streetwise comedy, while resuscitating our confidence in Cheung as the new renaissance man of Hong Kong Cinema.

Read my full review here