James Marsh
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This is what happens when H.G. Wells is allowed to make a science fiction. Visually impressive, wildly prescient and stunning in its ambition. Read More
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I finally watched Walter Hill’s gangland classic for the first time as part of Twitch’s Full Disclosure feature. It hasn’t aged particularly well, and fails to resonate when discovered today… Read More
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Following a string of historical martial arts epics, Donnie Yen makes his return to contemporary action films with this high-octane tale of an undercover cop torn between duty and loyalty… Read More
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The only film to co-star British cinematic icons (and long-time friends) Michael Caine and Sean Connery, The Man Who Would Be King is a late-career highlight from American director John… Read More
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Denis Villeneuve’s English language debut is a tough, gritty and downright chilly thriller about a man (Hugh Jackman) who takes the law into his own hands when his daughter goes… Read More
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There’s a degree of method in the madness of Joseph Kahn’s all-in balls-out execution that’s quite commendable. Unwieldy fun. Read More
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Revisited Shino Kaneto’s brilliant psycho-sexual horror film in preparation for my appearance on the Masters of Cinema podcast. A masterpiece of Japanese horror and one of the best-looking black &… Read More
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A brutally on-point depiction of social incompetency in nerd culture & the faux intelligence of hipster irony. It’s also funny. Read More
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The feature debut from writer-director Xan Cassavetes too often lets its unnecessary Euro kitsch aspirations handicap an otherwise respectable modern day vampire romance. Read More
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Despite a decent turn from Fiona Dourif (daughter of Chucky’s voice actor Brad), Curse of Chucky is pretty lame. Lacks scares, laughs & efforts to link back to original fall… Read More
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Sabu’s latest is a bleak, expressionistic, low budget retelling of Kim Ki-Young’s The Housemaid. With zombies. Read More
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Reminiscent of the comedy It’s A Disaster, as reimagined by Shane Carruth. A dinner party disintegrates into mind bending science-fiction, from their may be no escape. Utterly gripping stuff. Read More
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Largely unwarranted biopic is less interested in the Princess’ final years than in punishing its audience with risible dialogue and obsessing over non-events. Read my full review here Read More
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2 hours+ of beautifully shot, brilliantly conceived, yet pitifully acted sex, poetry and slapstick. It can only be Pasolini. Is there a Pasolini supercut anywhere of characters laughing at each… Read More
