Hailed as “the Citizen Kane of bad movies”, The Room first screened in 2003, and has since become something of a cult phenomenon. An amateurish psycho-drama devoid of stars, talent or anything resembling artistic merit, it continues to play to packed midnight crowds across the United States. Such is its enduring popularity that The Room has become the subject of a new film, The Disaster Artist, which stands as one of the year’s most hotly tipped awards contenders.
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